Nebraskaland

Nebraskaland May 2021

NEBRASKAland Magazine is dedicated to outstanding photography and informative writing with an engaging mix of articles and photos highlighting Nebraska’s outdoor activities, parklands, wildlife, history and people.

Issue link: http://mag.outdoornebraska.gov/i/1366387

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36 Nebraskaland • May 2021 depict people or scenes accurately. Interestingly, the nature photographers I know rarely use this focal length. Focus and Depth of Field Your eyes focus so quickly and naturally you almost never think about it — until you reach your mid-to-late 40s and can no longer focus on anything less than an arm's length away. Your brain and eyes collaboratively decide what part of a scene is most important and focus on that. A camera doesn't know what your brain thinks is the focal point of a scene, so you have to tell it what you want. Making conscious decisions about something you usually do unconsciously takes some practice. Both your eyes and camera can only focus on a portion of a scene at a time. If one object is close to you and another is far away, you can only focus on one; the other will look fuzzy. As you scan your surroundings, your brain constantly concentrates on what's most interesting, and you don't even notice that everything else is out of focus. In a photograph, though, the viewer has time to scan the entire static image, and portions that are out of focus become obvious, especially if they include something of interest. On the fl ip side, an out-of-focus background can help highlight the subject of a photo, increasing an image's visual power. "Depth of fi eld" is the distance between the nearest and farthest objects away from you that appear in focus simultaneously. In other words, there is a limited range of space between you and the horizon that can be in focus when you take a photo. Focal length and the distance between you and the subject you focus on both infl uence depth of fi eld, but the most important factor is aperture. The aperture of your lens is the hole through which light enters the camera. You can adjust the aperture, which is measured in f-stops. Confusingly, a smaller aperture means a bigger f-stop number, but remember that f-stops are fractions, so an aperture of f/8 is bigger than f/11. Now, stop. Take a breath and read that last paragraph one more time. It's a lot to remember all at once, but just know that aperture aff ects depth of fi eld. A smaller hole creates Both the badger and sunrise were photographed with the same telephoto lens.

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