Nebraskaland

NEBRASKAland December 2014

NEBRASKAland Magazine is dedicated to outstanding photography and informative writing with an engaging mix of articles and photos highlighting Nebraska’s outdoor activities, parklands, wildlife, history and people.

Issue link: http://mag.outdoornebraska.gov/i/417216

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said. "There's no other way they can get rid of it. It could have eventually killed her." Finch would rather trappers follow the laws so they don't catch raptors, but hopes they do turn the bird over to them if they do. In 39 years of treating birds, she has had to euthanize several eagles and other raptors that had been caught in traps. She treated some she suspects were caught by individuals who were trapping over exposed bait, knew it was a violation and that reporting the injured bird would lead to a ticket so they simply released it despite its injuries. "We've had birds come in that were skin and bones that were released from a trap with their leg hanging by a thread," Finch said. "It's much more humane to put them down at that point than to have them starve to death. But sometimes injuries look worse than they actually are." Thome also hopes to not have to free another raptor from an illegal trap. "Trapping is an important part of wildlife management with a heritage that should be passed down to younger generations," he said. "Promoting the trapping heritage using ethics and proper rules and regulations will keep the sport around for others for years to come." Grant won't be catching another eagle. He said he knows all of the rules now. So do his parents. "This was a learning lesson for us all," Karla said. "We should have read through the regulations better." ■ Grant Jensen watches as the eagle he unintentionally and illegally trapped is released by Conservation Officer Mike Thome on the family's farm near Cozad. DECEMBER 2014 • NEBRASKAland 39 Finch, Stander and Commission Conservation Offi cer Dina Barta work to capture the eagle from the fl ight pen prior to its release. PHOTO BY ERIC FOWLER PHOTO BY ERIC FOWLER

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